![410 FEND '65-SR | '65 Fender™ Super Reverb [Black Face] | '65 CTS™ 4×10″ | Cabinet Impulse Response](http://tacosounds.com/cdn/shop/files/410-fend-65-sr_main.jpg?v=1777550872&width=100)
The Fender™ Bandmaster stands among the most iconic piggyback amplifiers from the golden era of American guitar. By 1962, the design had settled into its signature configuration — a separate head and speaker cabinet — giving players the freedom to mix and match enclosures on stage and in the studio.
Unlike the open-back combos that defined Fender's earlier voice, the closed-back 2×12" Bandmaster cabinet belongs to a different chapter. Fender was among the first American makers to adopt closed-back enclosures for piggyback designs, alongside the Showman. The closed back focuses the speaker's energy forward, delivering a tighter low-end, stronger midrange projection, and a more controlled directional response built for large stages.
This particular cabinet carries Eminence™ 2×12" replacement speakers loaded in 1994 (8 Ω) — a non-original swap, openly disclosed. Five single-microphone positions plus 50 blended combinations cover the full tonal range of this enclosure: from warm and direct to crisp and defined.
Pair these captures with your amp model of choice, and the closed-back Bandmaster's tightened bottom and forward midrange step into the foreground — the larger-stage projection that set the piggyback era apart takes shape.
- Cabinet1962 Fender Bandmaster
- SpeakersEminence 2×12" (1994 Reload)
- ConfigurationClosed-Back
- Quantity×2
Founded in 1989, Hyper Guitars specializes in vintage guitars and amplifiers,
dealing exclusively in carefully curated top-tier instruments. Recognized by U.S. dealers as Japan's finest.
This IR was produced from a vintage cabinet specially loaned from Hyper Guitars' vintage stock.
We are deeply grateful for their support in passing rare, historic tones to future generations.
— Available in 96kHz / 48kHz / 44.1kHz
Microphones Used
01 / dynamic
57IIISM57 Unidyne III
based on a Shure™ SM57 Unidyne III
The most-used dynamic mic in rock history. Tight, punchy midrange — the standard close-mic on guitar cabs since the 1960s.
02 / ribbon
VR1
based on a sE Electronics™ VR1
Ribbon microphone with warm, smooth low-mids. Tames harshness and adds a vintage-tape character.
03 / ribbon
M160M 160
based on a beyerdynamic™ M 160
Double ribbon hypercardioid microphone. Balances warm low frequencies with delicate highs while suppressing surrounding noise.
04 / dynamic
421WMD421 White, Script Logo
based on a Sennheiser™ MD421 White, Script Logo
Vintage white-bodied MD421 with the original script logo. Bold low-end — a studio standard on cabs and toms.
05 / ribbon
R121R-121
based on a Royer Labs™ R-121
Premium ribbon microphone with smooth frequency response and natural sound reproduction.
