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TacoSounds

212 FEND B-MASTER

212 FEND B-MASTER

Regular price ¥2,100 JPY
Regular price ¥0 JPY Sale price ¥2,100 JPY
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Tacosounds IRs capture pure MIC data, without any EQ or other modifications.

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American Vintage · 1962 Bandmaster
About the Fender™ '62 Bandmaster Cabinet
Eminence™ 2×12″ (1994 Reload) · Closed-Back Cabinet

The Fender™ Bandmaster stands among the most iconic piggyback amplifiers from the golden era of American guitar. By 1962, the design had settled into its signature configuration — a separate head and speaker cabinet — giving players the freedom to mix and match enclosures on stage and in the studio.

Unlike the open-back combos that defined Fender's earlier voice, the closed-back 2×12" Bandmaster cabinet belongs to a different chapter. Fender was among the first American makers to adopt closed-back enclosures for piggyback designs, alongside the Showman. The closed back focuses the speaker's energy forward, delivering a tighter low-end, stronger midrange projection, and a more controlled directional response built for large stages.

This particular cabinet carries Eminence™ 2×12" replacement speakers loaded in 1994 (8 Ω) — a non-original swap, openly disclosed. Five single-microphone positions plus 50 blended combinations cover the full tonal range of this enclosure: from warm and direct to crisp and defined.

Pair these captures with your amp model of choice, and the closed-back Bandmaster's tightened bottom and forward midrange step into the foreground — the larger-stage projection that set the piggyback era apart takes shape.

BASED ON
1962 Fender™ Bandmaster Cabinet
Closed-Back · 2×12"
SPEAKER
Eminence™ 2×12" (1994 Reload)
Closed-Back Loading
Speaker Details
  • Cabinet1962 Fender Bandmaster
  • SpeakersEminence 2×12" (1994 Reload)
  • ConfigurationClosed-Back
  • Quantity×2
SPECIAL THANKS
About Hyper Guitars

Founded in 1989, Hyper Guitars specializes in vintage guitars and amplifiers,
dealing exclusively in carefully curated top-tier instruments. Recognized by U.S. dealers as Japan's finest.

This IR was produced from a vintage cabinet specially loaned from Hyper Guitars' vintage stock.
We are deeply grateful for their support in passing rare, historic tones to future generations.

Included IR Files
5 Single Mic IRs + 50 Mixed Mic IRs
— Available in 96kHz / 48kHz / 44.1kHz
57III
57III0:00
VR1
VR10:00
M160
M1600:00
421W
421W0:00
R121
R1210:00
50
Mixed Mic IRs Included
212 FEND B-MASTER
VR157III
VR1 + 57III (5:5)0:00
57IIIR121
57III + R121 (5:5)0:00
M160421W
M160 + 421W (5:5)0:00

Microphones Used

57III
57III = Shure™ SM57 Unidyne III
The most-used dynamic mic in rock history. Tight, punchy midrange — the standard close-mic on guitar cabs since the 1960s.
VR1
VR1 = sE Electronics™ VR1
Ribbon microphone with warm, smooth low-mids. Tames harshness and adds a vintage-tape character.
M160
M160 = beyerdynamic™ M 160
Double ribbon hypercardioid microphone. Balances warm low frequencies with delicate highs while suppressing surrounding noise.
421W
421W = Sennheiser™ MD421 White, Script Logo
Vintage white-bodied MD421 with the original script logo. Bold low-end — a studio standard on cabs and toms.
R121
R121 = Royer Labs™ R-121
Premium ribbon microphone with smooth frequency response and natural sound reproduction.

All sales are final. Our digital products are intangible items — returns and exchanges are not possible after purchase. For support, contact support@tacosounds.com.