
The Fender™ Tweed Bassman is one of the most historically significant amplifiers in electric guitar — a circuit that predates rock music itself. First produced in 1952 and reaching its definitive form in the 5F6-A circuit of 1957, the Bassman was originally designed for electric bass, but it was guitarists who discovered its full potential.
The 5F6-A circuit — designed by Leo Fender — runs a 4×10 open-back cabinet with a pair of 6L6 output tubes. Jim Marshall studied the Bassman circuit when designing his early amplifiers in the 1960s; his first production amp is widely described as a modified Bassman. The Bassman is, in this sense, the common ancestor of the British stack.
This IR captures the cabinet loaded with Jensen™ P10Q 10-inch speakers — vintage ceramic-magnet drivers from the Tweed era. The P10Q was the original Fender-specified driver of the period, prized for its bright, glassy top end and natural cone break-up at modest volume levels.
The 4×10 open-back format produces a uniquely broad sonic image — four drivers in a compact open-back enclosure, projecting both forward and to the rear. The result is a wide, ambient tonal character distinct from the focused punch of closed 4×12 cabinets — a foundational palette for American clean, blues, and country.
- ModelJensen P10Q
- Date1960
- MagnetAlnico (10.5oz)
- Power40W
- Quantity×4


— Available in 96kHz / 48kHz / 44.1kHz



Microphones Used
01 / dynamic
57IIISM57 Unidyne III
based on a Shure™ SM57 Unidyne III
The most-used dynamic mic in rock history. Tight, punchy midrange — the standard close-mic on guitar cabs since the 1960s.
02 / ribbon
VR1
based on a sE Electronics™ VR1
Ribbon microphone with warm, smooth low-mids. Tames harshness and adds a vintage-tape character.
03 / condenser
414ULSC414 B-ULS
based on a AKG™ C414 B-ULS
Studio large-diaphragm condenser — wide frequency response, ultra-linear signal.
04 / dynamic
421WMD421 White, Script Logo
based on a Sennheiser™ MD421 White, Script Logo
Vintage white-bodied MD421 with the original script logo. Bold low-end — a studio standard on cabs and toms.
05 / ribbon
R121R-121
based on a Royer Labs™ R-121
Premium ribbon microphone with smooth frequency response and natural sound reproduction.
06 / dynamic
BACKMD421 White (back-of-cab)
based on a Sennheiser™ MD421 White (back-of-cab)
MD421 White placed behind the cabinet for ambient resonance.


Founded in 1989, Hyper Guitars specializes in vintage guitars and amplifiers,
dealing exclusively in carefully curated top-tier instruments. Recognized by U.S. dealers as Japan's finest.
This IR was produced from a vintage cabinet specially loaned from Hyper Guitars' vintage stock.
We are deeply grateful for their support in passing rare, historic tones to future generations.




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