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412 MARS 1960AX Green SHIBASAKI Signature

412 MARS 1960AX Green SHIBASAKI Signature

TacoSounds

Regular price ¥2,900 JPY
Regular price Sale price ¥2,900 JPY
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SHIBASAKI SIGNATURE
412 MARS 1960AX Green SHIBASAKI Signature
Marshall™ 4×12 1960AX · Celestion™ G12M25 Greenback

The Marshall™ 4×12 1960AX slant cabinet loaded with four Celestion™ G12M25 Greenback speakers. The one Shibasaki reaches for on parts that call for warmth, controlled breakup, and a more open midrange — territory where the Bogner V30 turns out too aggressive. The enclosure is a classic Marshall plywood build, distinguished from the standard 1960A by its speaker configuration. In contrast to Bogner-style stiff construction, this cabinet has its own hand in shaping the tone, bringing low-mid body and a slight softness to the top-end transients.

Speakers and why Shibasaki chose this cabinet

Four Celestion™ G12M25 Greenbacks, 25W each. The historical reference that defined classic British rock — a vocal midrange, creamy compression as the speaker enters breakup, and a top end that rolls off naturally without harshness. Less aggressive than the V30, more colored than a neutral monitor speaker — sitting between the two. An option for territory where the Bogner V30 turns out too aggressive: classic-rock voicings, mid-gain rhythm with body, and lead tones that call for warmth rather than slice. The 1960AX with Greenbacks settles in naturally from clean through modern mid-gain without pushing the mix on presence.

Microphone capture — 9 single + 76 mixed-mic IRs

Six microphones across 9 single-mic positions, combined into 76 mixed-mic IRs. The mic configuration was chosen to draw out the midrange weight of this cabinet and the compression character of the Greenback, including off-axis positions that match the tone-shaping flexibility this cabinet responds to. Placement and tonal balance entirely under Shibasaki's supervision. The plywood cabinet voicing of the Marshall™ 1960AX, the vocal midrange and creamy compression of the G12M25 Greenback, and Shibasaki's mic discipline are captured here as a tool that covers classic rock through modern mid-gain.

BASED ON
Marshall™ 4×12 1960AX
SPEAKER
Celestion™ G12M25 Greenback

Bonus Gift: SHIBASAKI's AXE-FX III Presets

Two Shibasaki's presets (16 tones via SCENE) | For FW14.05 - Preamp/tone differs in newer ver.

More details →
Marshall™ 4×12 1960AX
Speaker: Celestion™ G12M25 Greenback  ·  9 Single Mic IRs  ·  76 Mix Mic IRs

Warm midrange and restrained highs with controlled distortion response. Covers classic rock through modern tones.

Single Mics

Files marked with f are far position — recorded slightly further from the cabinet than the standard close-mic, capturing a touch more air and room interaction. Other suffixes (v1, v2, off) indicate alternative placements or rotations.

57III
57III · Shure™ SM57 Unidyne III
The most-used dynamic mic in rock history. Tight, punchy midrange.
TacoS 412 MARS-AX Green_57III.wavTacoS 412 MARS-AX Green_57IIIf.wav
906
906 · Sennheiser™ e906
Modern dynamic with flat body — sits flush against the grill. Tight midrange focus.
TacoS 412 MARS-AX Green_906.wavTacoS 412 MARS-AX Green_906f.wav
M421
421 · Sennheiser™ MD421
Large dynamic with detailed response and bold low-end.
TacoS 412 MARS-AX Green_421.wavTacoS 412 MARS-AX Green_421f.wav
R121
R121 · Royer Labs™ R-121
Premium ribbon microphone with smooth frequency response.
TacoS 412 MARS-AX Green_R121.wav
VR1
VR1 · sE Electronics™ VR1
Ribbon mic with rich low-end character.
TacoS 412 MARS-AX Green_VR1.wav
U87
U87 · Neumann™ U87 (off-axis)
Studio standard large-diaphragm condenser, placed off-axis.
TacoS 412 MARS-AX Green_off[u87].wav

Mix Files

Two mics blended at fixed ratios. The numbers in the filename (e.g. 3-7) indicate the blend ratio. Below are three representative examples (57III + R121); the full library contains many more combinations.

57III R121
30%
70%
TacoS 412 MARS-AX Green_57III+R121_3-7.wav
57III R121
50%
50%
TacoS 412 MARS-AX Green_57III+R121_5-5.wav
57III R121
70%
30%
TacoS 412 MARS-AX Green_57III+R121_7-3.wav

Microphones Used

57III
57III = Shure™ SM57 Unidyne III
The most-used dynamic mic in rock history. Tight, punchy midrange — the standard close-mic on guitar cabs since the 1960s.
906
906 = Sennheiser™ e906
Modern dynamic with flat-design body — sits flush against the grill. Tight midrange focus, easy to position.
M421
M421 = Sennheiser™ MD421
Large dynamic mic with detailed response and bold low-end. A studio standard on guitar cabs and toms.
off
off = Neumann™ U87
Studio standard large-diaphragm condenser. Off-axis position.
R121
R121 = Royer Labs™ R-121
Premium ribbon microphone with smooth frequency response and natural sound reproduction.
VR1
VR1 = sE Electronics™ VR1
Ribbon microphone with warm, smooth low-mids. Tames harshness and adds a vintage-tape character.

Shibasaki Hiroshi

WANDS

Since his 1991 debut as the founding guitarist of WANDS, Shibasaki has been at the forefront of Japanese rock through the band's multi-million-selling run. His work extends to artists such as abingdon boys school, T.M.Revolution, and Nanase Aikawa, among many others, while he continues to stay active across a wide range of band, session, and live performance projects today.

All sales are final. Our digital products are intangible items — returns and exchanges are not possible after purchase. For support, contact support@tacosounds.com.