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TacoSounds

412 SHIBASAKI Signature IR PACK

412 SHIBASAKI Signature IR PACK

Single and Mix Mic IRs

Normaler Preis ¥4,100 JPY
Normaler Preis Verkaufspreis ¥4,100 JPY
Sale Ausverkauft
Inkl. Steuern.
Vollständige Details anzeigen
SHIBASAKI SIGNATURE · 2 CABINETS
SHIBASAKI Signature Pack
Bogner™ V30 + Marshall™ G12M25 Greenback

Das Signature-IR-Pack von Hiroshi Shibasaki, aufgebaut um zwei 4×12-Cabinets, die er in seinen eigenen Studio- und Live-Setups verwendet hat. Das Bogner™ Slant mit Celestion™ Vintage 30s bietet ein straffes, artikuliertes Low-End und präsente Mitten: das Voicing, zu dem Shibasaki bei modernem High-Gain und präziser Rhythmusarbeit greift.

Das Marshall™ 1960AX mit Celestion™ G12M Greenbacks bringt eine wärmere, offenere Ansprache mit kontrollierten Verzerrungscharakteristiken. Es deckt alles ab, von Classic Rock bis zu modernen Sounds, bei denen das Bogner zu aggressiv wäre.

Mikrofonauswahl, Platzierung und Tone-Tuning wurden vollständig von Shibasaki selbst betreut. Jedes Cabinet wurde über mehrere Mikrofonpositionen und Ausrichtungen getrackt, um dem IR-Loader maximale Flexibilität bei der Anpassung an das Quellmaterial zu geben.

Bonus Gift: SHIBASAKI's AXE-FX III Presets

Two Shibasaki's presets (16 tones via SCENE) | For FW14.05 - Preamp/tone differs in newer ver.

More details →
Bogner™ 4×12 Slant Cabinet
Speaker: Celestion™ G12V30  ·  11 Single Mic IRs  ·  111 Mix Mic IRs

Tight, articulate low-end with substantial weight and clarity. Suits modern high-gain tones and precise rhythm work.

Single Mics

Files marked with f are far position — recorded slightly further from the cabinet than the standard close-mic, capturing a touch more air and room interaction. Other suffixes (v1, v2, off) indicate alternative placements or rotations.

57III
57III · Shure™ SM57 Unidyne III
The most-used dynamic mic in rock history. Tight, punchy midrange.
TacoS 412 BOGN V30_57III.wavTacoS 412 BOGN V30_57IIIf.wav
906
906 · Sennheiser™ e906
Modern dynamic with flat body — sits flush against the grill. Tight midrange focus.
TacoS 412 BOGN V30_906f.wavTacoS 412 BOGN V30_906v1.wavTacoS 412 BOGN V30_906v2.wav
M421
M421 · Sennheiser™ MD421
Large dynamic with detailed response and bold low-end.
TacoS 412 BOGN V30_M421.wav
R121
R121 · Royer Labs™ R-121
Premium ribbon microphone with smooth frequency response.
TacoS 412 BOGN V30_R121.wavTacoS 412 BOGN V30_R121f.wav
VR1
VR1 · sE Electronics™ VR1
Ribbon mic with rich low-end character.
TacoS 412 BOGN V30_VR1.wavTacoS 412 BOGN V30_VR1f.wav
U87
U87 · Neumann™ U87 (off-axis)
Studio standard large-diaphragm condenser, placed off-axis.
TacoS 412 BOGN V30_off[u87].wav

Mix Files

Two mics blended at fixed ratios. The numbers in the filename (e.g. 3-7) indicate the blend ratio. Below are three representative examples (57III + R121); the full library contains many more combinations.

57III R121
30%
70%
TacoS 412 BOGN V30_57III+R121_3-7.wav
57III R121
50%
50%
TacoS 412 BOGN V30_57III+R121_5-5.wav
57III R121
70%
30%
TacoS 412 BOGN V30_57III+R121_7-3.wav
Marshall™ 4×12 Slant Cabinet
Speaker: Celestion™ G12M25 Greenback  ·  9 Single Mic IRs  ·  76 Mix Mic IRs

Warm midrange and restrained highs with controlled distortion response. Covers classic rock through modern tones.

Single Mics

Files marked with f are far position — recorded slightly further from the cabinet than the standard close-mic, capturing a touch more air and room interaction. Other suffixes (v1, v2, off) indicate alternative placements or rotations.

57III
57III · Shure™ SM57 Unidyne III
The most-used dynamic mic in rock history. Tight, punchy midrange.
TacoS 412 MARS-AX Green_57III.wavTacoS 412 MARS-AX Green_57IIIf.wav
906
906 · Sennheiser™ e906
Modern dynamic with flat body — sits flush against the grill. Tight midrange focus.
TacoS 412 MARS-AX Green_906.wavTacoS 412 MARS-AX Green_906f.wav
M421
421 · Sennheiser™ MD421
Large dynamic with detailed response and bold low-end.
TacoS 412 MARS-AX Green_421.wavTacoS 412 MARS-AX Green_421f.wav
R121
R121 · Royer Labs™ R-121
Premium ribbon microphone with smooth frequency response.
TacoS 412 MARS-AX Green_R121.wav
VR1
VR1 · sE Electronics™ VR1
Ribbon mic with rich low-end character.
TacoS 412 MARS-AX Green_VR1.wav
U87
U87 · Neumann™ U87 (off-axis)
Studio standard large-diaphragm condenser, placed off-axis.
TacoS 412 MARS-AX Green_off[u87].wav

Mix Files

Two mics blended at fixed ratios. The numbers in the filename (e.g. 3-7) indicate the blend ratio. Below are three representative examples (57III + R121); the full library contains many more combinations.

57III R121
30%
70%
TacoS 412 MARS-AX Green_57III+R121_3-7.wav
57III R121
50%
50%
TacoS 412 MARS-AX Green_57III+R121_5-5.wav
57III R121
70%
30%
TacoS 412 MARS-AX Green_57III+R121_7-3.wav

Microphones Used

57III
57III · Shure™ SM57 Unidyne III
The most-used dynamic mic in rock history. Tight, punchy midrange — the standard close-mic on guitar cabs since the 1960s.
906
906 · Sennheiser™ e906
Modern dynamic with flat-design body — sits flush against the grill. Tight midrange focus, easy to position.
M421
M421 · Sennheiser™ MD421
Large dynamic mic with detailed response and bold low-end. A studio standard on guitar cabs and toms.
off
off · Neumann™ U87
Studio standard large-diaphragm condenser. Off-axis position.
R121
R121 · Royer Labs™ R-121
Premium ribbon microphone with smooth frequency response and natural sound reproduction.
VR1
VR1 · sE Electronics™ VR1
Ribbon microphone with warm, smooth low-mids. Tames harshness and adds a vintage-tape character.

Shibasaki Hiroshi

WANDS

Since his 1991 debut as the founding guitarist of WANDS, Shibasaki has been at the forefront of Japanese rock through the band's multi-million-selling run. His work extends to artists such as abingdon boys school, T.M.Revolution, and Nanase Aikawa, among many others, while he continues to stay active across a wide range of band, session, and live performance projects today.

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