1 9

TacoSounds Online Store

410 FEND '65-SR

410 FEND '65-SR

¥2,100 JPY
¥0 JPY ¥2,100 JPY
Sale Ausverkauft
Inkl. Steuern.

New IRs: Rare 1965 Blackface Super Reverb

Tacosounds IRs capture pure MIC data, without any EQ or other modifications.
Vollständige Details anzeigen

IR Compatibility Database & Format Guide

▼

Most Popular Devices:

Kemper Fractal Axe-Fx Line 6 Helix Quad Cortex BOSS IR-200 Strymon Iridium
← Swipe left/right to see all columns →
Manufacturer Model Supported Format Max IR Length Notes

IR Format Guide

• IR Data Length

IR Length Options

Choose from two recording lengths:

200ms → Most devices don't need more than 200ms, so this is fine to start with.
500ms → Longer recording with more natural reverb. Good for BOSS, Iridium, and software apps.

Most devices only use about 21-46ms. If you choose longer IR data (like 500ms), your device will automatically cut it to the right length.

• Sample Rate

Sample Rate Options

Use 96kHz, 48kHz, or 44.1kHz folder to match your device.

• File Type

File Types

RAW: Natural sound response (recommended). *All files without "RAW" in the name are still RAW except MPT.
MPT: Minimum Phase Transform - Phase-aligned IRs for mixing different cabinets

This IR data was captured from a 1965 Fender™ Super Reverb, equipped with its original CTS™ 10-inch speakers in a 4×10 configuration.

The Blackface-era Super Reverb (1963–1967), favored by Derek Trucks, follows the lineage of the Tweed 4×10 Bassman and the Brownface 4×10 Concert. Well-preserved, all-original examples in excellent condition are now extremely rare.

Capture details:

  • Single microphone position, carefully selected for optimal phase alignment
  • Designed to capture both direct speaker response and the natural air of an open-back cabinet
  • No EQ and no compression applied
  • Captured through a Neve microphone preamplifier as raw IR data

6 Single Mic IRs

410 FEND '65 SR_57III
57III

57III = Shure™ SM57 Unidyne III

Well-balanced vintage dynamic microphone with excellent midrange definition.

410 FEND '65 SR_421W
M421W

421W = Sennheiser™ MD421 White, Script Logo

Dynamic microphone renowned for detailed response and punchy attack.

410 FEND '65 SR_414ULS
414ULS

414ULS = AKG™ C414 B-ULS

The highest-rated C414 model is the ULS (Ultra Linearity Signal)

410 FEND '65 SR_U47fet
U47fet

U47fet = Neumann™ U47 FET

Well-balanced vintage dynamic microphone with excellent midrange definition.

410 FEND '65 SR_VR1
VR1

VR1 = sE Electronics™ VR1

Ribbon mic with rich low-end character

410 FEND '65 SR_BACK
BACK

BACK = Rear Microphone Position

Captures the open-back cabinet's natural room ambience and air movement

Mixed Mic | 75 IRs Included

The numbers in the filename (e.g. 7-3, 6-4, 5-5, 4-6, 3-7) indicate the blend ratio between the two microphones. For example, 7-3 means the first microphone is mixed at 70% and the second microphone at 30%.

1VR
70%
70%
30%
30%
57III
57III + BACK
410 FEND '65 SR_57III+VR1_5-5
414ULS + M421W
410 FEND '65 SR_421W+VR1_6-4
+ BACK
410 FEND '65 SR_U47fet+BACK_6-4
Based on: '65 Fender™ Super Reverb [Black Face]
Speaker: '65 CTS 4 x 10″

This IR data was created from the pairing of a 1965, Fender™ Super Reverb [Black Face] and CTS 4 x 10″ Original Units.

Special Thanks

Through the support of Hyper Guitars, who graciously lent us this amplifier, we were able to capture this vintage tone for our IR collection. We extend our heartfelt gratitude for their assistance in our mission to preserve and pass on the exceptional tones of rare and valuable equipment to future generations.

Hyper Guitars Logo Visit Hyper Guitars
Our digital products are intangible digital items, therefore returns and exchanges are not possible after purchase. All sales are considered final upon completion.
If you encounter any issues with files or installation process, or if you need support to maximize the benefits of your purchased product, please feel free to contact our support team. Contact us at support@tacosounds.com.
© TacoSounds. All rights reserved.